"You're standing there, and you're basically watching producers blocking out scenes, five minutes ahead of when you get there, having by the studio deciding the sequence of shots that are going to construct whatever is going on, and what it is that they need," Trank recalled. He hoped that Fox would use elements of his cut, but being on set during reshoots was "like being castrated".
Fantastic four 3 trailer 2015 movie#
While we don't know the full story of what happened during the reshoots to 'save' the movie, Trank said that he had to battle with producers to allow him to reedit the movie while Fox worked on its own cut with editor Stephen Rivkin.ĭuring the reshoots though, Trank believed "there was no path out of hell" and he never thought his version of the movie would win out, given that the rewrites fitted the new version of Fantastic Four and not his own. And the tone that was interested in was not a tone that I felt I had anything in common with." You could take the most 'comic booky' things, as far as just names and faces and identities and backstories, and synthesise it into a tone. Trank added: "The trials of developing Fantastic Four had everything to do with tone. "The first Avengers movie had recently come out, and I kept saying, 'That should be our template, that's what audiences want to see! And Josh just f**king hated every second of it," recalled Slater. However, it seems that the director wasn't as open to the movie featuring comic-book beats as Slater wanted. Fantastic Four Trailer 3 Has Doom on the Attack Doom rises to take on the Fantastic Four in the final trailer before this Marvel reboot hits theaters this August. Trank's idea was that the end of the movie would "organically set up the adventure and the weirdness and the fun" for the sequel with the first movie, in Trank's words, being "the filmic version of how I saw myself all the time: the metaphor of these characters crawling out of hell". With creative control from Fox, Trank hired Jeremy Slater – who helped to develop Chronicle with Trank – to write the movie as Slater could provide the comic-book knowledge that the director couldn't.
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